Perez Hilton weighed in after Jason and Travis Kelce revealed where Taylor Swift ranked on their respective Spotify Wrapped lists. In an article published on his website on December 11, Hilton suggested that the Spotify Wrapped results finally answered a lingering question among fans about where each brother stood when it came to their devotion to Swift.
“The results are in… which Kelce brother is the bigger Swiftie?!…(This is) Too funny!” he wrote.
In this article, Hilton provided context for where the conversation originated, explaining that the brothers shared details from their Spotify Wrapped during the Wednesday, December 10 episode of New Heights, the podcast co-hosted by Jason and Travis Kelce.
“In a clip from Wednesday’s New Heights episode, Jason and Travis Kelce dive into their Spotify Wrapped for 2025!” added
Hilton went on to explain one of the episode’s more endearing revelations, noting that Jason Kelce’s top genre of the year was doo-wop.
“The elder brother revealed his top genre was ‘doo-wop’ because he sings that style of song to his daughter every night. Aww!” he remarked
Beyond doo-wop, Hilton noted that Jason Kelce admitted his second most-played album of the year was Swift’s The Life of a Showgirl, underscoring that he was very much a fan of his brother’s fiancée, Taylor Swift.
Hilton characterized Jason as “a big Swiftie,” but suggested his fandom paled in comparison to Travis Kelce’s.
According to the podcaster, during the conversation, Travis Kelce enthusiastically “jumped in” to show his loyalty by revealing that The Life of a Showgirl claimed the number one spot on his Spotify Wrapped, making it clear that her album dominated his listening habits.
Hilton also pointed out a humorous moment from the conversation when Jason joked about his daughters critiquing his singing. He explained that Jason admitted he was banned from performing Taylor Swift’s songs at home because his kids complained he was “really off pitch.”
Travis Kelce shows off-screen support to Taylor Swift in the “End of an Era” Docuseries
Although Travis Kelce did not appear onscreen in the first two episodes of Taylor Swift’s newly released End of an Era docuseries, his presence was still strongly felt throughout the project.
One particularly intimate moment showed the Kansas City Chiefs tight end offering Swift a heartfelt pep talk over the phone ahead of her first Eras Tour performance in London.
In the scene, Kelce could be heard expressing genuine awe at Swift and her team’s ability to prepare for massive stadium shows with what sounded like calm confidence.
“How are you guys so good? You can just do a little in-the-backroom rehearsal and then go do this live in front of everyone,” Kelce said as Swift was driven to Wembley Stadium (as per Page Six)
Swift responded by reframing the pressure, pointing out that Kelce’s profession demands an equally intense level of mental discipline. She compared her need to remember songs and choreography to his responsibility to memorize countless football plays.
“How do you remember 36,000 plays that are all tactical missions and then just go do it? It’s the same. It’s basically the same job. I’ve got songs to remember, you’ve got plays to remember,” Swift said.
As the call continued, Kelce reflected on how both of them relied on teammates and loved ones to stay grounded, before openly expressing that he wished Swift were physically with him.
Taylor Swift playfully teased him in return, joking about his commitment to the NFL. As they prepared to hang up, Travis Kelce offered a deeply personal affirmation, thanking Swift for the positive impact she had on his life.
“I love you so much, babe. Thanks for making my life better,” Kelce told her.
Swift responded with humor and affection, likening the emotional boost from their conversation to a wellness treatment, joking that while some people get a “vitamin drip,” she gets energy from moments like that.
The emotional weight of the docuseries extended far beyond romantic moments.
In late July 2024, a violent attack occurred at a Taylor Swift–themed dance class in Southport, where a 17-year-old assaulted children and adults who attempted to intervene. Three young girls were killed, and 10 others were injured.
Just one week later, Swift was forced to cancel three scheduled concerts at Vienna’s Ernst-Happel-Stadion after authorities uncovered and neutralized a terrorist plot. Austrian officials arrested three teenage males accused of planning a mass-casualty attack targeting Swift’s sold-out shows and nearby crowds.
In 2025, a juvenile male in Germany was also charged with aiding the suspects.
In the docuseries, viewers saw the gravity of Swift’s decision-making during this period, with cameras capturing her visible anxiety as she prepared to return to the stage in London just days after the canceled Vienna shows.
After completing her first London performance, Kelce was the first person Swift reached out to.
The series showed Swift running offstage following her final bow at Wembley Stadium and immediately embracing a member of her management team. She anxiously asked whether “anything bad happened” during the show that she might not have been aware of.
Once reassured that everything went smoothly, she climbed into her waiting SUV and called Kelce to share her relief and joy that the night “went so great.”
On the call, Swift described how the crowd seemed unusually supportive, saying the audience was “wilder than I’ve ever seen” when she walked onstage, and that their reaction felt like exactly the encouragement she needed. Kelce, in turn, told her he could hear the happiness in her voice.
Taylor Swift also reflected on how meaningful it felt to be performing again after weeks of fear and uncertainty. She explained that she was grateful to return to touring in a “functional way,” admitting she had been so emotional beforehand that she worried she might forget how to play guitar or sing.
The first two episodes of Taylor Swift’s End of an Era docuseries premiered on Disney+ on December 12.
Travis Kelce, meanwhile, remains focused on the final stretch of the NFL season with the Kansas City Chiefs.
Edited by Shayari Roy